Shoot this from inside a cafe through the window glass at dusk — reflections of interior light layered over the tower exterior create the visual complexity that separates your fram

e from the ten thousand others made here daily.

When the subject is iconic and heavily photographed, the location will not separate your frame — the find must. Kenna built his entire practice on this principle: he shot the Eiffel Tower, the Golden Gate Bridge, Mont Saint-Michel — subjects photographed millions of times — and his frames are singular because he found the angle, the light, or the processing transformation that no one else committed to. The upward tilt here adds energy, but it is not yet a find — it is a variation on the standard street-level perspective. The next step is to ask: what can I see from here that requires a decision only I would make? A reflection, a frame-within-frame, a specific light window, a processing transformation that changes the emotional register entirely. Your AQ trend is climbing steadily — you are learning to make images that feel like something specific — but your DM and DoD are still anchored to accessible subjects in standard conditions. The growth move is to take that emotional instinct into harder situations: predawn light, restricted access, or a compositional find that transforms the familiar into the unseen.