If this moment comes again, shift your position slightly—lower, or to the side—so the figures are not centred but emerge from the frame's edge. The wave line and the group's movement can form a diagonal rather than a horizontal stack. Right now, crop the top 15 percent of sky; it adds nothing and pulls the frame upward. In post, consider whether the reflection in the wet sand needs to be as dark as the figures—a slight lift there (shadows plus 10–15) will separate the ground plane and give the figures more weight. The golden spiral is already present in the wave curve and the figures' lean; shift them slightly right so the eye enters along the wave line and finds them at the spiral's eye.